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Lizabeth Scott

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Jeff Bridges
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Lizabeth Scott Biography and Filmography
Lizabeth Scott
Birthday: September 29, 1922
Birth Place: Scranton, Pennsylvania, USA
Height: 0' 0"
Below is a complete filmography (list of movies he's appeared in)
for Lizabeth Scott.
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Born into the Czech ghetto in Scranton, Pennsylvania, Lizabeth Scott attended the Alvienne School of Drama in New York and began her career in stock. Scott's first break came when she was cast as Tallulah Bankhead's understudy in Broadway's The Skin of Our Teeth (1942); meanwhile, she also worked as a fashion model. Starmaker Hal Wallis spotted her, and she did well in a screen test, leading to her film debut in 1945. She went on to play alluring leads in a number of films throughout the next decade, hyped by her studio as another Lauren Bacall or Veronica Lake. There was speculation that Scott would marry Wallis, but this never occurred, and he dropped her option in 1957, effectively ending her movie career. In 1955 she sued Confidential magazine over its allegations concerning her sexual preferences. She has appeared in one additional film, Pulp (1972), with Michael Caine; she also provided the voice-overs for a series of cat food commercials. She has never married.
Alan Ladd: The True Quiet Man (1999)
Pulp (1972)
[ Janet Agren ][ Nadia Cassini ]
Lizabeth Scott vs. George Hamilton (1963)
Loving You (1957)
The Weapon (1957)
Silver Lode (1954)
Bad for Each Other (1953)
Scared Stiff (1953)
[ Leslie Hope ][ Dorothy Malone ]
Amo, Amas, Amat (1952)
A Stolen Face (1952)
The Racket (1951)
Red Mountain (1951)
[ Jo Kennedy ]
Two of a Kind (1951)
The Company She Keeps (1951)
Paid in Full (1950)
[ Eve Arden ][ Carol Channing ]
Dark City (1950)
[ Viveca Lindfors ]
Easy Living (1949)
[ Lucille Ball ]
Too Late for Tears (1949)
[ Jo Kennedy ]
Pitfall (1948)
I Walk Alone (1948)
Desert Fury (1947)
Dead Reckoning (1947)
The Strange Love of Martha Ivers (1946)
[ Barbara Stanwyck ]
You Came Along (1945)
  • According to Diana McClellan's book on Sappho Hollywood, "The Girls," Scott was shunned late in the studio era for her sexual orientation. It was seen as an obscenity for Scott to be associated with lesbians as well as lesbian night clubs and dives in Los Angeles.

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